Monday 5 December 2011

Critical investigation

The guardian quotes
‘’Forget the nonsense about 'male' and 'female' instruments: the real reason women are under-represented on stage is that too many men judge them by their cleavage’’
"There are male and female instruments," he explained. "The violin and the flute, for example, are female. The bass, the guitar and the drums are male."
‘’why are female artists considered "over the hill" when they pass 30, while pensioners strut around the stage, the anthropologist replied: "That's because music and sex are closely linked – and men are considered sexy for much longer than women."
 ‘’The female body is rarely a site of empowerment except when it is being objectified to define female strength through heterosexist sexiness, which, displayed for male satisfaction, creates little real power for women’’
‘’Female rappers' value lies in their ability to perform masculinity as well as be sexually objectified, when a femcee is not performing the role of the sexually available coquette nor the female thug, her power and agency are nonexistent."
Book reviews
Chang spent years researching his subject and it shows. From the very beginnings in Kingstown and the Bronx, Chang interviews the major players and also gives an overview of the political landscape of the time and how it shaped the lives of everyone involved. A large portion of the book is dedicated to the first 10 years of hip-hop up into the 80's and quite right as this is the most interesting. He writes of not only the music but of the other components of the movement such as breaking and graffiti artists. The way he covers Public Enemy is fascinating and we uncover a lot of truths about the band, good and bad. I'm not a big fan of rap music but this book deserves your attention. It is comparable of Simon Reynolds 'Rip It up and Start Again' in that both books are thorough documents of important musical movements and are the last word on both.
This is the best hip-hop book I've had the pleasure of reading, mainly because it focuses purely on the musical side and not on the more academic stuff, as another reviewer pointed out. It's almost all in the words of the MCs and it is edited in a way so that there is no filler, just tons and tons of inside techniques and stories from the actual artists. There is a huge range of MCs interviewed and it's all organized so that you get the most useful and most interesting quotes from the MCs in the right places. I was particularly pleased to see so many of the legends present, like Big Daddy Kane and A Tribe Called Quest, and it's put me onto a lot of the dope underground groups like Jedi Mind Tricks and Aesop Rock.
Dirty South: Outkast, Lil Wayne, Soulja Boy, and the Southern Rappers Who Reinvented Hip-Hop
A great book, covering different eras of hip-hop in South that brought a great sense of nostalgia for me. It was very informative and entertaining. I recommend this book for the new generation who is oblivious to the foundation of rap and hip-hop, even though it only covers the South, it's better than the nothing that they know now. I would like to add this to my collection one day and perhaps find other books similar to it that cover other areas of the genre.
If KRS1 dropped all his dogma about being a messiah his wisdom would rally stand out. However to enjoy and really learn something from the book you have to skip the dogma and read between the lines to get to the wisdom that is contained in the book. I really like the way he promotes hip hop as a culture as a positive force for good. I really get that and support it but there are lots of ways to see the light. My message is Hip hop is a light for me and suits me but it’s not the only way to see the light.
What is hip hop? Is it just music? Is hip hop beneficial to our church? This book has all the answers to those questions. The book is more of a testimony or a documented experience of the life of G. Craige Lewis, much like the Origen of Species is to Darwin. But he does inform his readers well on the dangers and influences of not just hip hop, but music in general. That isn't to say that all music is bad, but he carefully documents the scientific proof behind the impact music has on its listeners. Lewis also adds quotes from the Scriptures and he never backs down from telling the truth. I believe that every Christian continuation should read this book as it does bring insight to the subculture we now know as hip hop and "holy" hip hop. I give it 4 stars only because Craige asks his readers to pray a prayer written by him at the end of certain chapters which doesn't help anyone
The independent quotes
‘’singer Erykah Badu walks through the busy streets of her native Dallas taking off her clothes item by item until she’s naked. When she reaches the grassy knoll near to where John F Kennedy was assassinated, a “shot” rings out and she collapses’’
‘’music videos in the Urban and R&B genres in particular are well known for including mild sexual content and innuendo, and there will be a certain level of audience expectation for this type of content’’
‘’women should avoid dressing like sluts in order not to be victimised".
‘’What is deemed inappropriately racy clothing is dependent on place and time: a flash of ankle used to scandalise the Victorians’’
‘’Today, if you wear a bikini to the beach, you're unremarkable; wear one to the pub, and you're the talk of the town.’’

‘’A "slut" looks like whatever a misogynist wants her to look like’’

Thursday 1 December 2011

Research articles

[PDF] 

Why is Hip-Hop so Powerful?

how hip hop has developed and how it has become so powerful.

stereotypes of of males and females and how stereotype in society defines gender.
 
hip-hop-identified folks mobilize texts to construct racial or generational identity or how hip-hop may function as social or (sub)cultural capital. 2pac
 
in order to be a succesfull female rapper besides rapping good you have to show more skin
 
Typical Males and females
 
outspoken artist k-os calls himself a forefather of canadian hip hop
http://www.guardian.co.uk/music/musicblog/2010/apr/12/nicki-minaj-female-rapper?INTCMP=SRCH
Nicki Minaj and the rise of the titillating female rapper

''as hip hop has become more mainstream, the shift in expectations of women has led to a new reality: a successful female artist must not only be talented, but also able to titillate the gaze of an assumed male viewer''

''At that time, it was not unusual to see women attired in Cross Colours, sneakers, and baggy jeans. If a woman chose a different look, it was just one of many. Even more mainstream groups such as Salt-N-Pepa and TLC were able to lace their lyrics with stories of female sexual autonomy, not just bedroom prowess. However, when Lil Kim erupted on the scene with her debut album Hardcore and Foxy Brown tore up airwaves with Ill Na Na, their popularity heralded a sea change in the way female rappers are perceived. ''

''In order to enjoy mainstream success, the requirement is for women in rap to be as physically attractive as they are lyrically proficient.''

''Her paper, Step Your Pussy Up: Nicki Minaj and the Signifyin(g) Tropes of Hardcore Female Rap, explains."The female body is rarely a site of empowerment except when it is being objectified to define female strength through heterosexist sexiness, which, displayed for male satisfaction, creates little real power for women. Because female rappers' value lies in their ability to perform masculinity as well as be sexually objectified, when a femcee is not performing the role of the sexually available coquette nor the female thug, her power and agency are nonexistent."

''While the same tropes still hold, one can only hope that eventually the increasing female representation in rap will lead to women challenging the norms of the male-dominated space, not just performing in it.''

http://www.youtube.com/watch?v=xQr4y8ABsFg
Docomentary of lil kim about her personal life, music, succes and prison.

Monday 28 November 2011

Critical Investigation

''How are Hip Hop Female artists such as Lil Kim represented in Hip Hop music videos and why ?''
*The production that we will be producing is a alternative Hip Hop music video of female
*The people i will be working with in a roup is Jason, Mark and Nida
* they keywords of the critical investigations are Hip Hop, representation of females, females ideology
*Migrain
- Media language: close-up shots, formal costumes,glamourus
-Institutions: Sony, Defjam, Universal
-Genre: Hip Hop, R&B, Pop
-Representation: sex objects, informal, uneducated
-Audience: teenagers & young adults, males & females, pleasure
-Ideology: typical, steareotypes, informal
- Narrative: true strories, experience, relate to music
*Shep
-Social: social networking, blogs
-How: Sex objects, dis respected
-Economic: cheap to make a video clip, money for good equipment
-Politic: no swearing, too explicit
*Issues and debates: female representation in the media- sex objects, weak, emotional etc.
*Theories: Dines, Gail & Jean M Humez (gender, class, race), Ferguson, Robert (ideology, identity, race), hooks, bell (black looks, race), Macdonald, Myra (women)Threadgold, Terry & Anne Cranny-Francis (Eds) (feminine, masculine)
*This study fits into the contemporary media landscape because females in music clips have gone to the next level which is too explicit and the steareotypes of women have increased
*http://www.bbc.co.uk/news/science-environment-14793436 (what attracts females)
*http://www.theglobeandmail.com/life/relationships/news-and-views/katrina-onstad/do-female-athletes-have-to-wear-miniskirts-to-be-taken-seriously/article2248483/ (how women should be taken serious)
*http://www.scotsman.com/scotland-on-sunday/business-opinion/comment/having_women_on_the_board_boosts_a_company_s_financial_performance_1_1986878 (APPOINTING women to the board of directors)
*http://www.thepennypost.co.uk/2011/11/03/welsh-asian-women-of-achievement-honoured/ (women achievements)
*http://www.stereoboard.com/content/view/169168/9 (Rihanna hitting the number 1 charts)
*http://thecitizen.co.tz/magazines/-/17408-the-photojournalist-treading-where-women-fear-to-tread (women fear to tread)
*http://www.fosters.com/apps/pbcs.dll/article?AID=/20111127/GJNEWS_01/711279941 (the truth about boys and girls)
*http://www.ft.com/cms/s/2/2661abc0-1451-11e1-b07b-00144feabdc0.html (sex and death by the sea)
*http://www.dailymail.co.uk/news/article-2061531/Putting-stereotypes-bed-Study-finds-male-nurses-MORE-masculine-men.html?ito=feeds-newsxml (putting the stereotypes to bed)
*http://blog.chron.com/armedsources/2011/11/think-you-know-what-women-do-in-the-military-think-again/ (Think you know what women do in the military? Think again)

*http://www.odt.co.nz/sport/boxing/187087/boxing-model-student-kos-stereotypes (Boxing model student kos stereotypes)

Thursday 10 November 2011

Critical Investigation


How and why is violence so prevalent in modern videogames, and should audiences be better protected from it through censorship?

Level Four Criteria:


Level 4
(37-48 marks)


(1)A fluent and analytical investigation which explores the chosen topic from a clear, autonomous
and critical perspective, (2)making use of extensive and wide-ranging research which has clearly
been employed in the investigation and detailed in the bibliography,(3) making use of a wide range
of academic, media and contextual sources. (4)The investigation demonstrates sophisticated
research and engagement with the primary text(s) and a range of secondary texts. (5)It is well
presented with a very detailed bibliography/source list (AO4).

Ex:
Violence has always been the ‘Devil’s advocate’ of new mediums of entertainment; all embryonic forms of media have had to weather criticism about their portrayal of violence, ranging from books (take for instance (4)The Lord of the Flies or The Colour Purple, both frequently banned from American schools for their seemingly excessive violent content) to movies (The Texas Chainsaw Massacre 2 comes to mind, and was banned in Australia until 2006(2). It is interesting to note that the Australian government seem to have a certain penchant for banning media texts), lending credence to the notion that video games are merely experiencing the beginnings of their journey to respectability (and therefore are frequently the source of recent moral panics). It could be argued that games do not face criticism due to their violent content, but rather simply because they are games; countless (3)film-makers, artists and authors have tackled difficult subjects such as violence (among others such as sexuality and hatred) and have been critically acclaimed for these works because they dared to explore humanity’s dark side.(1) Due to this, one could make the argument that games should not be censored as they are simply under criticism with the same ‘knee-jerk’ attitude that has plagued mediums before now, mediums which have gone on to produce some of the most telling and intriguing narratives ever witnessed.
(5) Bibliography
Works Cited
Books:
Shaw, B. (1893). Mrs. Warren's Profession. Champaign, Ill.: Project Gutenberg.
Nielsen, S., Smith, J. H., & Tosca, S. P. (2008). Video Game Culture. Understanding video games: the essential introduction (p. 138). New York: Routledge.
Newspapers and Magazines:
Marketing Violent Entertainment to Children: A Review of Self-Regulation and Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries, Appendix A - "A Review of Research on the Impact of Violence in Entertainment Media" (Sept. 2000)
Violent virtual video games and hostile thoughts. (2004, September 1). Journal of Broadcasting & Electronic Media, 1, 1.
Internet:
The Entertainment Software Association - Industry Facts. (n.d.). The Entertainment Software Association - Home Page.      Retrieved January 17, 2011, from http://www.theesa.com/facts/index
Benichou, P. (n.d.). » International Reviews Philippe Benichou Artist Blog. The Art of Philippe Benichou - Original Paintings - Limited Editions - Official Web Site. Retrieved January 24, 2011, from http://philippebenichou.com/blog/?page_id=150
Video Games and Violence - Art Carden - Mises Daily. (n.d.). Ludwig von Mises Institute - Homepage. Retrieved January 31, 2011, from http://mises.org/daily/3528
Moving-image texts:
Kubrick, S. (Director). (1987).Full Metal Jacket [Motion picture]. U.S.A.: Warner Home Video.
Bulletstorm Trailer (Epic Games, 2010, USA)

(1)The investigation demonstrates sophisticated knowledge and understanding of media
concepts, contexts and critical debates relevant to the chosen area of investigation. (2)The work
contextualises the study and the linked production piece effectively within the contemporary
media landscape (AO1).


Ex: 
(1)However, the question remains as to why violence is so prevalent in the gaming medium and more importantly what effect it has on the players that are exposed to it. With regards to its overwhelming frequency in games, we must acknowledge that “violence has been a subject in literature and the arts since the beginning of human civilization.” One could argue that as humans we are intrigued by violence, and it is probable that this fascination “satisfies some basic human needs. The adrenalin rush, the satisfactions of imagination, fantasy, and vicarious adventure, probably explain why millions of nonviolent people enjoy violent entertainment.”In this sense, one could argue that violent games may actually serve to be therapeutic as they provide an outlet for this carnal violent intrigue we all seem to possess. (2)Furthermore, regarding the impact this violence has, it is said that “because the mass media presents violence in so many different ways (news, sports, action movies, cartoons, horror movies, documentaries, war stories with pacifist themes), it is particularly difficult to generalize about its impact. Even social scientists who believe that violent entertainment has adverse effects don't agree on what kinds of violent images or ideas are harmful.” This is evidence that the zeitgest has advanced and the intellectuals of present have taken a more open and accepting stance on violence in media texts.

Tuesday 1 November 2011

Monday 31 October 2011

the rise and rise of UGC

Is reality becoming more real? The rise and rise of UGC
Sara Mills explores the rise of the citizen journalist and considers the impact of user-generated content on news stories, the news agenda, and the role of the professionals.
Once, it was all quite simple…the big institutions created the news and broadcast it to a variously passive and receptive audience. Now new technologies mean that the audience are no longer passive receivers of news. The audience have become ‘users’ and the users have become publishers. Audiences now create their own content. We are in the era of user generated content (UGC) where the old divide between institution and audience is being eroded.

Key to this change has been the development of new technologies such as video phones and the growth of the internet and user-dominated sites. Both who makes the news and what makes the news have been radically altered by this growth of media technologies and the rise of the ‘citizen journalist’.
We first felt the effects of the new technologies way back in 1991. Video cameras had become more common and more people could afford them…unfortunately for four Los Angeles police officers! Having caught Rodney King, an African-American, after a high speed chase, the officers surrounded him, tasered him and beat him with clubs. The event was filmed by an onlooker from his apartment window. The home-video footage made prime-time news and became an international media sensation, and a focus for complaints about police racism towards African-Americans.
 Four officers were charged with assault and use of excessive force, but in 1992 they were acquitted of the charges. This acquittal, in the face of the video footage which clearly showed the beatings, sparked huge civil unrest. There were six days of riots, 53 people died, and around 4000 people were injured. The costs of the damage, looting and clear-up came in at up to a billion dollars. If George Holliday hadn’t been looking out of his apartment window and made a grab for his video camera at the time Rodney King was apprehended, none of this would have happened. King’s beating would be just another hidden incident with no consequences. The film footage can be still being viewed. Try looking on YouTube under ‘What started the LA riots.’ But be warned – it makes for very uncomfortable viewing, and even today, it is easy to see why this minute and half of blurry, poor-quality film had such a huge impact.

This was one of the first examples of the news being generated by ‘ordinary people,’ now commonly known as ‘citizen journalists’, ‘grassroots journalists’, or even ‘accidental journalists’. As technology improved over the years, incidents of this kind have become more and more common. Millions of people have constant access to filming capability through their mobiles, and footage can be uploaded and rapidly distributed on the internet. The power to make and break news has moved beyond the traditional news institutions.

It is not only in providing footage for the news that citizen journalists have come to the forefront. UGC now plays a huge role in many aspects of the media. Most news organisations include formats for participation: message boards, chat rooms, Q&A, polls, have your says, and blogs with comments enabled. Social media sites are also built around UGC as seen in the four biggest social networking sites: Bebo, MySpace, YouTube and Facebook. People also turn to UGC sites to access news: Wikipedia news, Google news and YouTube score highly in terms of where people go to get their news.
The natural disaster of the Asian Tsunami on December 26th 2004 was another turning point for UGC. Much of the early footage of events was provided from citizen journalists, or ‘accidental journalists,’ providing on-the-spot witness accounts of events as they unfolded. Tourists who would otherwise have been happily filming holiday moments were suddenly recording one of the worst natural disasters in recent times. In addition, in the days after the disaster, social networking sites provided witness accounts for a world-wide audience, helped survivors and family members get in touch and acted as a forum all those involved to share their experiences.

A second terrible event, the London bombings on July 5th 2005, provided another opportunity for citizen journalists to influence the mainstream news agenda. No one was closer to events than those caught up in the bombings, and the footage they provided from their mobile phones was raw and uncompromising. This first-hand view, rather than professionally shot footage from behind police lines, is often more hard-hitting and emotive. An audience used to relatively unmediated reality through the prevalence of reality TV can now see similarly unmediated footage on the news.

The desire for everyone to tell their own story and have their own moment of fame may explain the huge popularity of Facebook, MySpace and other such sites. It also had a more negative outcome in the package of writings, photos and video footage that 23-year-old Seung-Hui Cho, an undergraduate at Virginia Tech, mailed into NBC News. Between his first attack, when he shot two people, he sent the package from a local post office, before going on to kill a further 30 people. In his so-called ‘manifesto’ Cho showed his paranoia and obsession, likening himself to Jesus Christ. The reporting of the terrible events at Virginia Tech that day was also affected by citizen journalism, and the footage that student Jamal Albarghouti shot on his mobile phone video camera. Rather than concentrate on saving his own life, he recorded events from his position lying on the ground near the firing.
The footage, available on YouTube and CNN brought events home to a worldwide audience. We now expect passers by, witnesses, or even victims, to whip out their camera phones and record events, an instinct almost as powerful as that to save their own or others’ lives. Perhaps the news now seems old-fashioned and somehow staged if it lacks the raw, grainy low-quality footage provided by citizen journalists.

Twitter and flickr came to the forefront during the Mumbai bombings in India in late November 2008. As bombs exploded across the city, the world’s media got up-to date with events through reports on Twitter and Flickr. There were questions raised, however, that by broadcasting their tweets, people may have been putting their own and others’ lives at risk. It was on Twitter again that the story of the Hudson River plane crash on January 15th 2009 was broken to the world. With a dramatic picture of a plane half sinking in the river, and passengers crowded on the wing awaiting rescue Janis Krun tweeted:There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy.
The picture is still available on Twitpic, under ‘Janis Krun’s tweet.’ While national news organisations quickly swung into action, it was the citizen journalist, empowered by social networking sites, that first broke the story.
So who’s keeping the gate?
Are the gatekeepers still fulfilling their old function of deciding what is and isn’t news, and what will and won’t be broadcast? In some ways, yes. You can send in as much UGC to the major news organisations as you want, with no guarantee that any of it will ever be aired. In fact, last year a BBC spokesperson reported that a large proportion of photos sent in to the news unit were of kittens. While this may represent the interest of the audience, or users, it still doesn’t turn the fact that your kitten is really cute into ‘news.’ The way around the gatekeepers is with the independent media on the web. The blogosphere, for example, provides an opportunity for independent, often minority and niche views and news to reach a wide audience. In fact uniting disparate people in ‘micro-communities’ is one of the web’s greatest abilities. How else would all those ice fans communicate without the ‘Ice Chewers Bulletin Board?’ And the only place for those who like to see pictures of dogs in bee costumes is, of course, ‘Beedogs.com: the premier online repository for pictures of dogs in bee costumes.’On a more serious note, the change in the landscape of the news means that groups who had little access to self-representation before, such as youth groups, low income groups, and various minority groups may, through citizen journalism, begin to find that they too have a voice.
What about the professionals?
Do journalists fear for their jobs now everyone is producing content? It is likely that in future there will be fewer and fewer permanent trained staff at news organisations, leaving a smaller core staff who will manage and process UGC from citizen journalists, sometimes known as ‘crowd sourcing.’ Some believe that the mediators and moderators might eventually disappear too, leaving a world where the media is, finally, unmediated. This does raise concerns however. Without moderation sites could be overrun by bigots or fools, by those who shout loudest, and those who have little else to do but make posts The risk of being dominated by defamatory or racist or other hate-fuelled content raises questions about unmoderated content: ‘free speech’ is great as long as you agree with what everybody is saying!

If there will be fewer jobs for trained journalists, will there also be less profit for the big institutions? This seems unlikely. Although how to ‘monetarise’ UGC – how to make money for both the generator and the host of the content – is still being debated, bigger institutions have been buying up social networking sites for the last few years. Rather than launch their own challenge, they simply buy the site. Flickr is now owned by Yahoo!, YouTube was bought by Google, Microsoft invested in Facebook, and News Corp., owned by Murdoch, bought MySpace.There is a whole new world out there. With it comes new responsibility. There is enormous potential to expand our view of the world and our understanding of what is happening. Our collective knowledge, and wisdom, should grow. On the other hand, in twenty years time, the news could be overrun by pictures of people’s kittens and a few bigots shouting across message boards at each other.

  1. What is meant by the term ‘citizen journalist’?
Citizen journalist means that events that occurs has been filmed by ordinary people and has been used in the news and put on the internet
  1. What was one of the first examples of news being generated by ‘ordinary people’?
The first news being generated by ordinary people is Rodney King event a black male being batted by 4 police officers in 1991.
  1. List some of the formats for participation that are now offered by news organisations.
The formats for participation offered by the news are message boards, chat rooms, Q&A, polls and Blogs.
  1. What is one of the main differences between professionally shot footage and that taken first-hand (UGC)?
The main difference between professionally shot footage and taken first hand is that professional shot footage is edited and picked out some of the event scenes unlike first hand footage where it’s all filmed which makes it more realistic

  1. What is a gatekeeper?
A gatekeeper is that is in charge of the mainstream of media such as Murdoch is in charge of news Corp and most of the newspapers such as the sun
  1. How has the role of a gatekeeper changed?
The role of gatekeepers have changed as there are now citizen journalists that produce the news locally and spread it across the rest of the country
  1. What is one of the primary concerns held by journalists over the rise of UGC?
UGC provides the audience to be the producers and consumers therefore the internet will become much more risky as in what exactly to belief or what kind of information is actually accurate also known as ‘’crowd sourcing’’

http://www.youtube.com/watch?v=omg1dsTWa3o